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elizabeth
Hi Beth, A super introduction to rhythmic studies. Looking forward to getting rhythm in my bowing so that everything doesn't sound the same. Question: Have units 1 through 5 been removed from the audio examples for some reason?

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1 Responses
Posted: February 2, 2012

Dick Stanley
Beth, Little problem(maybe) with the workshop registration. I've twice submitted info to the email address and both times gotten it back as undeliverable. Second time I even sounded out the letters to be sure I had them all correct.

1 Responses
Posted: February 2, 2012

Eileen
Beth, for some reason Dick Stanley's post about the fretless note finder says there are 0 responses....but there are actually 3.     

3 Responses
Posted: February 2, 2012

Dick Stanley

0 Responses
Posted: February 2, 2012

Dawn Mortimer
Hi - I am a new violin student. I have rented a violin and have recently had difficulty tuning the instrument. For example both the fine tuners for the A and D string are in so far that I can not turn them anymore.  However, the strings are still out of tune.  I have tried relieving them and working with the peg box and that is not working either.  The peg tuners either become very loose or so tight that they bounce back. Any suggestions on what the issue may be?  Thank you - Dawn  

4 Responses
Posted: January 31, 2012

Joe (aka Pecos)
Can someone tell me how the ABRSM grades relate to the Suzuki books?  ie Does Suzuki book 1 equal ABRSM grade 1,etc.
Thanks

7 Responses
Posted: January 31, 2012

bm
Dear Beth,

Is there a lesson on double stops in the video library? couldn't find one. 'gavotte en rondeau' is giving me nightmare with double stops!!

2 Responses
Posted: January 31, 2012

Jorge Kachmari
Its so funny, because I play the opposite, I am very comfortable in 1, 2, and 3, but 4 and 5 are much harder for me to play.

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0 Responses
Posted: February 2, 2012

Guillaume
Hi Beth,
Thank you so much for this site and all your videos, you are a phenomenal teacher.
I have a question... as a beginner I am finding it a bit hard to maintain the little gap between the inside of the left hand and the fingerboard. Should I continue practicing to maintaining the gap (at the expense of learning other things), or should I try to make progress on other skills (there are so many) and continue playing even if I do not always maintain the gap? 

I am nervous that this habit will be hard to kick when I try to learn vibrato eventually.

Thanks again!
Guillaume
  

9 Responses
Posted: January 29, 2012

Andreas
Hi everyone :)
I just wanted to share something with you... Sol Gabetta with her 200 years old cello plays and sings:
She is one of the reasons for me to start with a stringed instrument :D
Andreas


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1 Responses
Posted: February 1, 2012

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