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Dyan
Beth, I am so impressed with your Violin Lab. It is sky rocketing! There is something for everyone. The answers to all of our questions are there! I have learned so much. What's most encouraging is I have someone to go to when things aren't going just right. Learning to play the violin takes lots of time. It has been so helpful learning to play the violin in the privacy of my own home. Plus, it saves time not having to go to lessons. Lessons are so expensive, justifiably so, making it impossible for some people to take. So, thank you for making our dreams come true. Dyan oops, I should have put this on Facebook?!

2 Responses
Posted: May 29, 2010

jack
Hi Beth, hope you are feeling better. I understand that you'll be posting some pointers on how I can best tackle the Twinkle versions D&E soon, but if I may impose on your generosity and wonderful teaching skills could I add one more request? ;-)

I'm working on T.H. Bayly's Long, Long Ago (Suzuki Book I) and I'm having a tough time getting measures 9 and 11 when going from B (on A string) to E (on D string) as indicated by the piece. My left index finger is long, narrow and somewhat pointy and I can't quite get it to cover both strings. Not only that, after playing those two notes I have to go back to my 3rd finger on the A string. I've tried several approaches, but my hand and fingers are looking more like a pretzel (lol) and I don't seem to quite flow through those notes. Any suggestions would be greatly appreciated. Thanks!


2 Responses
Posted: May 28, 2010

Abram Inman
I have a section on a music sheet that I dont understand. I scanned an image of the specific section but cant see now that Im able to upload images in discussions :o( Am I missing something?

0 Responses
Posted: May 27, 2010

jeanome
Beth, Do you have any advise on how to have a nice up-bow staccato? I'm working on "Country Dance" (Suzuki Book 5) and am struggling with the up-bow staccatos, mostly in that I get a tiny down-bow rebound sound on each note. Is the up-bow staccato more reliant on wrist motion or should I focus on downward bow pressure (or both?). Any tips would be so helpful. Thanks!

1 Responses
Posted: May 27, 2010

LearningViolin
Hi Beth! Do you have a mini-series on Timing and Rhythm? Although I play piano, I've never felt overly confident that I truly understand. Memories of my piano teacher saying "apple pie", "one-e-and-uh" and things like that.....still confuses me! Thanks, Janice

3 Responses
Posted: May 25, 2010

Dyan
Hi Beth, I'm back from vacation. I'm amazed at all that's going on with Violin Lab. That's great, thanks to you! I have a question for you. Why do I have a red mark on my neck after practicing the violin? I can't seem to stop doing whatever I'm doing to cause it. Do you have any suggestions? Thanks, Dyan

1 Responses
Posted: May 23, 2010

jack
Beth, would it be possible for you to make a video on how to tackle variations D and E of Twinkle Little Star (Suzuki book I)? I have tried and tried again, but I don't seem to get it correctly. I have moved past those tunes for sake of sanity, but I keep coming back each week to see if I can get them, but I still fall short.

I guess that triplets and sixteenths groupings are beyond my brain capacity. ;-)

I suppose that those variations are my Achillesé─˘ heel as I've been at it for at least 2 months.


4 Responses
Posted: May 22, 2010

Andres
I need some guidance on how to keep from getting ahead of myself. How proficient should I be with one lesson before I incorporate the next lesson into my practice? How many things should I be working on at the same time? I have only been "playing" about 1 month. I like the violin so much, that I want to be able to play the Canon in D next month! I know, impossible. Any Ideas out there?

2 Responses
Posted: May 21, 2010


response Katrina straight bow

0 Responses
Posted: May 21, 2010


Scale Studies: Introduction

0 Responses
Posted: May 21, 2010

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