Video Library

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0 Watch This If You Are a Beginner and New to Violin Lab
1 Instrument Set Up
2Best Practices for your Best Practices: creating effective practice sessions
3Putting Guide Tapes on the Violin
4Tuning the Violin
5 Tuning the Violin in Fifths
6How to Hold the Bow
7Bow Hold Exercises
8Tightening the Bow
9Rosining the Bow
10 Violin Hold
11Fitting the Shoulder pad
12Adjusting the Bon Musica
13Note Names of Open Strings
14Comfortability Issues
15Bow Geometry
16Preparing the Bow Arm
17First Bow Strokes
18 Guided Practice Introduction
19Guided Practice #1:Playing in the Middle of the Bow
20Playing at the Tip of the Bow
21Bowing at the Frog
22 Guided Practice #2: Playing at the Frog and Tip
23 String Crossing Basics, part 1
24String Crossing Basics 2 - Where are Those Angles?
25Guided Practice #3: String Crossings
26Whole Bow Strokes
27Guided Practice #4: Whole Bow Strokes
28Left Hand Set Up: part 1 - Overview
29 Left Hand Set Up: Part 2 - Finger Action of the Left Hand
30Left Hand Set Up: Part 3 - Thumb Placement
31Left Hand Set Up: Part 4 - Rotation Angles
32Left Hand Set Up: part 5 - Inside of Hand
33Finger Action and Finger Pressure
34Adding Fingers to Bow Stroke
35 2-3 Finger Spacing Pattern
36Left Hand Exercises to Build Good Finger Action and Hand Placement
37 String Crossings for the Left hand
38Fingers and Bow Strokes: Pre-Twinkle Exercises
39Intonation: part 1
40 Left Hand Mobility and Relaxation
41Playing Comfortably on the G String
42Note Names for Finger Spacing Pattern 1
43Guided Practice #5: Finger Spacing Pattern 1
44Tone Production 1: Finding the Ring Tones
45Twinkle, Twinkle, Little Star Lesson 1: Variation A
46Twinkle, Twinkle, Little Star: Lesson 2: Variation C
47Twinkle, Twinkle, Little Star: Lesson 3: Variation D
48Twinkle, Twinkle, Little Star: Lesson 4: Variation E
49Twinkle, Twinkle, Little Star: Lesson 5: Variation B
50Twinkle, Twinkle, Little Star: Lesson 6: Learning the Left Hand
51 Twinkle, Twinkle, Little Star: Lesson 7: Putting it All Together
52Twinkle, Twinkle, Little Star: lesson 8: Twinkle Theme
53Twinkle, Twinkle, Little Star: performance
54Bow Retakes
55Open String Duets with Beth: Demo
56Open String Duets with Beth: Set 1
58D Major Scale (note demonstration)
58D Major Scale (practicing the scale)
59French Folk Song
60Lightly Row: tutorial
61Skips with Finger Spacing Pattern 1
62Skips Exercise: Explanation
63Skips Exercise Demo
64Open String Duets with Beth Set 2: Explanation
65Open String Duets Set 2 with Beth: Demo
66Song of the Wind: tutorial
67Broken Third Pattern
68Go Tell Aunt Rhody: tutorial
69May Song: tutorial
70Using 4th finger
71Open String Duets with Beth set 3
72 O Come, Little Children: tutorial
73Guided Practice #6: Skips, part 1
74Guided Practice #7: Skips, part 2
75Bow Tilt Basics
76Bow Arm Tension: Getting Rid of the Bounce
77Intonation: part II
78Accidentally Hitting Other Strings
79 Stiffness in the Wrist and Fingers of the Bow Arm
80The Fluid Shoulder (aka Getting Rid of the Bounces)
81Are You Sleeping in A major
82Bow Hand: Weight Distribution (video response)
83 The Bow Hold in Motion
84Advanced Bow Hold
85Finger Motion: Fingers Move the Bow
86Finger Motion at the Frog
87Building Flexibility into the Bow Hand
88Daily Bow Hand Exercises for Developing Flexibility
89Bow Arm Considerations: wrist and elbow levels
90The Galamian Bow Arm
91Left Hand Squeezing: part 1: Why We Do It
92Left Hand Squeezing part 2: Security Matters
93Left Hand Squeezing: part 3 - Restructuring
94Left Hand Squeezing: part 4 - Strengthening the Hand
95Left Hand Squeezing: part 5 - How Much Space, Really?
96 Left Hand Squeezing: part 6: First Finger and the E string: No Scrunching!
97Left Hand Squeezing: part 7: Extras
98 Left Thumb: Issues with Placement and Pressure
99Long, Long Ago: tutorial
100Nkosi Sikelel iAfrika
101Vrede
102 Allegro: tutorial
103Perpetual Motion: tutorial
104Block Fingerings
105Allegretto: performance
106Allegretto: tutorial
107Slurs
108Guided Practice #8: Slurs
110Finger Spacing Pattern 2
111 Note Names for Finger Spacing Pattern 2
112Guided Practice #9 Spacing Pattern II, part 1
112Guided Practice #10: Spacing Pattern II, part 2
113 Moon Over Ruined Castle
114G Major 2-octave scale
115Intonation III
116Are You Sleeping in G major
117Intonation IV
119Lesson 54: Simple Gifts in G major
120Maintaining a Straight Bow - 1: Setting Up for Success
121Maintaining a Straight Bow 2: Reach not Swing
122Maintaining a Straight Bow 3: Folding to the Frog
123Maintaining A Straight Bow When Playing Fast Detaché Strokes
124Maintaining a Straight Bow part 5
124Maintaining a Straight Bow part 6
125Maintaining a Straight Bow #7: Fast Bows
126Maintaining a Straight Bow #8: The Bi-Fold Door and the Bow Arm
127 More on Straight Bowing: part 1 Keeping on track
128More on Straight Bowing: part 2 Tips for the Tall and Short
129More on Straight Bowing: part 3 Getting stuck at the Frog and Improving Fast Detaché Strokes
130 Tip for Training detaché: the Resistance Band
131Etude: tutorial
132Fingertips hitting other strings
133Tension when using the Low 2nd Finger
134 Alec Rowley: Berceuse
135 Alec Rowley: Melodie
136 Finger Spacing Pattern 3
137Note Names for Finger Spacing Pattern 3
138A Major 2-Octave Scale
139Guided Practice #11: Finger Spacing Pattern 3
140Andantino: performance
141Andantino: tutorial
143Consistent Finger Placement and Intonation
144 Tone Production Basics
145The Volume Spectrum
146Quality Over Quantity
147Improve Tone - Get Rid of Bow Arm Tension
148Minuet #1: tutorial
148Minuet #1: performance
149 Alec Rowley: Minuett
150 Schradieck / Schradick - for everyone (Best finger action training ever)
151Tuning with the Pegs
152Third Finger Spacing Pattern 3 (Low Position)
153B flat 2-Octave scale
154Guided Practice #12: Finger Drills 1
155Guided Practice # 13: Finger Drills 2
156Guided Practice #14 Finger Drills 3
157Minuet #2: performance
158Minuet #2: tutorial
159Minuet #3: performance
160Minuet #3: tutorial
161Smooth String Crossings: Arm Preparation
162Piece for Smooth String Crossing Practice
163 Alec Rowley: Pastorale
164Independence Between Left and Right Hands
165Gossec Gavotte: performance
166Happy Farmer: tutorial
167Happy Farmer: performance
168Hovering Fingers
169Finger Action: Slow Release
170Finger Action: Slow Drop (Finger Preparation)
171Gossec Gavotte: tutorial, part 1
172Gossec Gavotte: tutorial, part 2
173Chorus from Judas Maccabaeus: tutorial
174Elements of Tone Production: Sounding Point, part 1
175Elements of Tone Production: Sounding Point, part 2
176Elements of Tone Production: Sounding Point, part 3
177Elements of Tone Production: Bow Pressure
178Elements of Tone Production: Bow Speed
179 Deeply Grow the Roots: Beginning Tutorial
180Long, Long Ago (Suzuki Book 2) : tutorial
181Hunter's Chorus: Suzuki Book 2
182Waltz: Suzuki Book 2: tutorial
183Olivia's Waltz: tutorial
184 Alec Rowley: Kavatine
185 Alec Rowley: Romanze
186 Alec Rowley: Dance Miniature
187Weaning off Tapes
188Developing Good Rhythm and Sight-Reading Skills
189Practicing with a Metronome and Tips on Slow Practice
190String Crossings Series: part 1: Maintaining Tone
191String Crossings Series: part 2: Micro Levels
192String Crossings Series: part 3: Coordination with Left Hand
193String Crossings Series: part 4: Efficiency I
194String Crossings Series: part 5: Efficiency II
195String Crossings Series: part 6: String Crossing Exercises
196String Crossings Series: part 7: Integration
197String Crossing Exercises #1
198String Crossing Exercises #2
199String Crossing Exercises #3
200String Crossing Exercises #4
201Musette: tutorial
202 Si Bheag Si Mhor
203Left Hand Conditioning: Strengthening and Stretching, part 1
204Left Hand Conditioning: Strengthening and Stretching, part 2
205Bouree by Handel: Suzuki Book 2 tutorial
206Two Grenadiers: tutorial, part 1
207Suzuki Book 2, Minuet in G by Beethoven: part 2
208Suzuki Book 2: Minuet in G by Beethoven, part 1
209Theme from Witches Dance: Performance
210Suzuki Book 2: Lully Gavotte, part 2
211Two Grenadiers: tutorial, part 2
212Two Grenadiers Performance
213Theme from Witches Dance: Part 3
214Theme from Witches Dance: Part 1
215Theme from Witches Dance: Part 2
216Gavotte from Mignon: performance
217Gavotte from Mignon: tutorial, part 1
218Gavotte from Mignon: tutorial, part 2
219Gavotte from Mignon: tutorial, part 3
220Suzuki Book 3: Gavotte in G minor (Bach)
221Suzuki Book 3: Minuet (Bach)
222Suzuki Book 3: Becker Gavotte
223 Violin Vibrato: Slow Motion Dos and Donts
224Continuous Vibrato
225The Gorgeous Vibrato
226Vibrato: part 12: Gorgeous Vibrato, part 2
227Vibrato: trick to develop basic motion
228Vibrato: What happens when the hand and arm work against each other
229Vibrato: the Problematic G string Vibrato
230 Vibrato: Troubleshooting the Shaky Violin and the Climbing Left Hand
231Arm Vibrato: Tight Knuckles
232Vibrato: Wrist angles
233Bow Strokes: Detaché, Legato, Marcato, Martele, Staccato
234Sad Romance: a study in Romantic shifting
235Bow Articulation: part 1: Overview
236Bow Articulation: part 2: Mechanics
237Bow Articulation: part 3: Practice Exercises
238Whole Bows: (Legato at the Tip)
239The Sustained Bow Stroke
240The Staccato Bow Stroke (on the string)
241The Staccato Bow Stroke (off the string)
242Staccato Vs. Spiccato
243Staccato Practice
244 Learning Spiccato: part 1
245Learning Spiccato, part 2
246Classical Bowing Articulation: 2-slur, 2-separate
247Double Stops: part 1: Establishing Tone
248Double Stops: part 2: Left Hand
249(FREE) Double Stops: part 3: Intonation
250Double Stops: part 4: Perfect Intervals
251Double Stops: part 5: Difficult Intervals and Hand Position
252Double Stops: part 6: Vibrato with Double Stops and Playing Octaves
253Double Stops: part 7: Playing Double Stops in High Positions and Fiddling Double Stops
254Double Stops: part 8: Introducing Ms. Trott
255 Shifting 101: Part 1 - Basics
256 Shifting 101: Part 2 - One finger shifting
257Shifting 101: Part 3 - Coordinating Bow Direction and Shift
258Shifting 101: Part 4 - One Finger Shifting Exercise
259Shifting 101: Part 5 - Shifting Styles (Classical)
260Shifting 101: Part 6 - Shifting Styles (Romantic)
261Shifting 101: Part 7 - Shifting Styles (Hybrid and Romanticized Classical)
262Shifting and Bow Changes
263Shifting Training part 1: Modes of Travel and Rules of Engagement
264 Shifting Training part 2: Classical Shift ascending (low finger to high finger)
265Shifting Training part 3: Descending (lower finger to higher finger)
266Shifting Training part 4: Descending (higher finger to lower finger)
267Shifting Training part 5: Ascending Scale (Higher finger to lower finger)
268Shifting Training part 6: Down the Scale
269Shifting Training: part 7a: One Finger Scales, part 1
270Shifting Training: Part 7b One Finger Scales, part 2
271Shifting Training: Part 7c One Finger Scales, part 3 (arpeggios)
272Shifting Training: Part 8 (Shifting Exercise to develop hand shapes for high positions)
273Meditation from Thais: phrase 1, performance
274Meditation from Thais: phrase 1, tutorial part 1
275Meditation from Thais: phrase 1, tutorial part 2
276Meditation from Thais: phrase 1, tutorial part 3
277Meditation from Thais: phrase 1, tutorial part 4
278Meditation from Thais: phrase 2, performance
279Meditation from Thais: phrase 2, tutorial part 1
280Meditation from Thais: phrase 2, tutorial part 2
281 (FREE) Meditation from Thais: phrase 3, performance
282 Meditation from Thais: phrase 3, tutorial
283Meditation from Thais: phrase 4, performance
284Meditation from Thais: phrase 4, tutorial
285Meditation from Thais: final phrase, performance
286Meditation from Thais: final phrase, tutorial
287Scale Studies: Introduction and Explanation
288Fourth Position and Flat Keys
289Scale Study #1: Frog to Tip Articulation
290Scale Study #2: Bow/Finger Coordination
291 Scale Study #3: Quick Down Bows (bow distribution)
292Scale Study #4: "The Fling" (Hooked Bowing Patterns)
293Scale Study #5: Tuning Ocatves
294Scale Study #6: "Karate Chop"
295Scale Study #7: Training Up Bow Staccato
296 Scale Study #8: Fast Fingers
297Scale Study #9: Hair Pins
298Scale Study #10: The Backwards Hair Pin
299Scale Study #11: Down Bow Circles
300Scale Study #12: Broad Hooked Bowing Pattern
301Scale Study #13 Wohlfahrt bowing pattern
302Scale Study #14 Scallop stroke
303Scale Study #16 Hug Your Bridge
304Scale Study #15: Zig-Zag bow stroke
305Scale Study #17: Slow to Fast Hooked Bows
306Three Against Two
307Advanced Tone Production: part 1: Using More Bow (Extremities)
308Advanced Tone Production: part 2: Using More Bow (Point A to B)
309Advanced Tone Production: part 3: Using More Bow (10 percent?)
310Advanced Tone Production: part 4: Using More Bow (Full Breaths)
311Positions: part 1: Overview
312Positions: part 2 Position Location
313Positions: part 3 Why Letter Names
314Positions: part 4: How We Know We Are There
315Positions: part 5: Finger Spacing Patterns and Exercises
316Positions: part 6: Interval Spacings
317Positions: part 7: Left Hand Considerations
318Positions: part 8: Finding 3rd Position
319Positions: part 9: Exercises for Establishing the 3rd Position Hand Frame
320 Positions: part 10: Shifting After an Open String
321Positions: part 14: Amazing Grace in 3rd position
322 Violin and Viola: Difference pt.1
323 Violin and Viola: What's the difference pt 2
324Martele (Marcato) Bow Stroke
325Harmonics
326Sad Romance Accompaniment
327Sad Romance beginning tutorial
328Sad Romance beginning tutorial, part 2
329Expressive Phrasing 101: Basic Requirements part 1 (Bow Distribution)
330 Expressive Phrasing 101: Basic Requirements part 2 (consistent bow speed)
331Expressive Phrasing 101: Basic Requirements part 3 (additional comments on bow speed)
332Expressive Phrasing 101: Basic Requirements part 4 (consistent volume)
333Expressive Phrasing 201: Beyond the Dynamics, intro
334Expressive Phrasing 201: Beyond the Dynamics part 1 (Crescendos and Decrescendos)
335Expressive Phrasing 201: Beyond the Dynamics part 2 (the Taper)
336Expressive Phrasing 201: Beyond the Dynamics part 3 (Training the Taper)
337Expressive Phrasing 201: Beyond the Dynamics part 4 (Adding Emphasis)
338Expressive Phrasing 201: Beyond the Dynamics part 5 (Contouring 1)
339Expressive Phrasing 201: Beyond the Dynamics part 6 (Contouring 2)
340Expressive Phrasing 201: Beyond the Dynamics part 7 Conclusion
341Trills
342Practicing with a Drone for Improving Intonation
343Sautillé Bow Stroke (difference between sautillé and spiccato)
344Sautillé Bow Stroke, Part 2
345Suzuki Book 2: Lully Gavotte, part 1
346Suzuki Book 2: Boccherini Minuet
347Finger Spacing Patterns: Preparation for Scale Rounds
348Scale Rounds: Explanation and Instructions
349Scale Rounds: Explanation and Instructions, part 2
350G Harmonic Minor Scale Round: Note-By-Note
351Greensleeves (What Child is This): fingerings (2011)
352Silent Night (fingerings close-up) (2011)
353Deck the Halls (2011)
354When to Use 4th Finger vs. Open String
355Improving Rhythmic Skills: part 1: Overview
356Improving Rhythmic Skills: part 2: Exercise for Developing Internal Beat
357Improving Rhythmic Skills: part 3: Visual Organization
358Improving Rhythmic Skills: part 4: Score Study
359Improving Rhythmic Skills: part 5: Daily Drills
360Improving Rhythmic Skills: part 6: Working with
364Red, Red Rose performance with 3rd position shifts
365Red, Red Rose Close Up Fingerings
366Red, Red Rose Tutorial
367Rhythm: Staying On the Off Beat
367Rhythm App: Rhythm Sight Reading Trainer
367 Intonia: Intonation Improving Software
367The Collé Bow Stroke: Part 1
368The Collé Bow Stroke: Part 2, Collé vs. Finger Motion at the Frog
368Sautillé and Seitz Violin Concertos
369(Workshop 2012) Scaludes by Kristin Turner: part 1
369(Workshop 2012) Scaludes by Kristin Turner: part 2
370(Workshop 2012) Vibrato Class by Bill Dick: part 1
371(Workshop 2012) Vibrato Class by Bill Dick: part 2
372(Workshop 2012)Literature Survey: Intermediate/Advanced. part 1
373(Workshop 2012) Literature Survey: Intermediate/Advanced, part 2
374(Workshop 2012)Shifting by Bill Dick: part 1
375(Workshop 2012) Shifting by Bill Dick: part 2
376Practice Techniques: Part 1 - Tone and Intonation
377Practice Techniques: Part 2 - Coordination (Varied Bowing Patterns)
378Practice Techniques: Part 3 - Coordination (Accents)
379Practice Techniques: Part 4 - Speed (Rhythm Variations)
380Practice Techniques: Part 5: Speed (Bursts)
381Practice Techniques: Part 6: Fine Tuning
382Suzuki Book 2: Lully Gavotte performance
383"Deeply Grow the Roots": Advanced tutorial
384Suzuki Book 3: Martini Gavotte part 2
385Christmas Carols 2012: up close fingerings
386Christmas Carols 2012: tutorial
387Tutorial for Christmas Carols 2011
388Suzuki Book 3: Humoresque, part 1
389Suzuki Book 3: Humoresque, part 2
390Suzuki Book 3: Humoresque, part 3
391Suzuki Book 3: Gavotte in D Major, part 1
392Suzuki Book 3: Gavotte in D Major, part 2
393Suzuki Book 3: Bach Bourée
394Suzuki Book 3: Bourée, part 2
395 Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 1
396Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 2
397Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 3
398Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 4
399 Seitz Concerto No. 5 in D major, 1st movement part 1
400Seitz Concerto No. 5 in D Major, 1st mvmnt. part 2
401Seitz Concerto No. 5 in D Major, 1st mvmnt. part 3
402Seitz Concerto #5, 3rd movement: Part 1: Beginning and End
403Suzuki Book 3: Martini Gavotte part 1
404Seitz Concerto #5, 3rd movement: Part 2: Double Stops section
405Vivaldi A Minor Concerto 1st movement: Beth, pt. 1
406Vivaldi A Minor Concerto 1st movement: Beth, pt. 2
407Vivaldi A Minor Concerto 1st movement: Beth, pt. 3
408Vivaldi A Minor Concerto 1st movement: Beth, pt. 4
409Vivaldi Concerto in A minor 2nd movement by Beth
410Vivaldi A Minor Concerto 3rd movement: Beth Blackerby
4112 Wohlfahrt Etude op.45 #8
4121 Wohlfahrt Etude op.45 #1
4133 Wohlfahrt Etude op.45 #3
414Tuning Systems (Pythagorean, Just, Equal Temperament)
4154 Wohlfahrt op.54, no. 2
4165 Wohlfahrt Etude op.45 #2
41725 Wohlfahrt Etude op.54 no.10 (The Pinky Buster)
4186 Wohlfahrt Op. 45 no. 4
4197 Wohlfahrt Op. 45, no.18
420Wohlfahrt Etude #10 op.45 #7
421Wohlfahrt Etude #11 op.54 #6
422Wohlfahrt Etude #13 op.45 #16
423Wohlfahrt Etude #17 op.54 nos. 9 and 8
424Wohlfahrt Etude #40, op. 45 no. 20
425Wohlfahrt Etude #19, op. 74 no. 6
426Wohlfahrt Etude #21, op.54 no. 12
427Wohlfahrt Etude #38, op.45 #12
428Left Hand: Contact, Balance, Vibrato part 1
429Left Hand: Contact, Balance, Vibrato part 2
430Left Hand: Contact, Balance, Vibrato part 3
431Wohlfahrt Etude #16, op.45 #9
432Up Bow Staccato: via Kreutzer Etude #4
433Spiccato Styles: broad and brushy vs. light and delicate
434Zombie Caprice Music Video
435Zombie Caprice Tutorial
436Clean Up Your Playing (Behind the Scenes) part 1
437 Clean Up Your Playing (Behind the Scenes) part 2
438Clean Up Your Playing (Behind the Scenes) part 3
439Clean Up Your Playing (Behind the Scenes) part 4
440Tremolo
441Dr. Stephen Redfield: Vibrato Interview: Good Vs.Bad
442Dr. Stephen Redfield: Vibrato Interview: part 2 Styles of Vibrato
443Dr. Stephen Redfield: Learning Vibrato: Step 1 Identifying the Motion
444Dr. Stephen Redfield: Learning Vibrato: Step 2 "Points of Contact"
445 Dr. Stephen Redfield: Learning Vibrato: Step 3 "the Paper Trick"
446Dr. Stephen Redfield: Learning Vibrato: Step 4 "Integrating"
447Dr. Stephen Redfield: Learning Vibrato: Step 5 "Control"
448Dr. Stephen Redfield: Expressive Qualities of Vibrato
449 Dr. Stephen Redfield, part 2: Musicality and Expression
450 (FREE) Dr. Stephen Redfield: Establishing Personal Voice
451Dr. Stephen Redfield, part 3: Varying Bow Speed
452Dr. Stephen Redfield, part 5: Varying Sounding Point
453Dr. Stephen Redfield, part 6: Finger Motion
454Dr. Stephen Redfield, part 7: Cole Bow Stroke
455Dr. Stephen Redfield, part 4: Importance of Etudes
456Dr. Stephen Redfield, part 8: Bow Pressure
457Dr. Stephen Redfield, part 9: Bow Angle
458Dr. Kirsten Yon: Part 1 - The Relaxed Left Hand
459(FREE) Dr. Kirsten Yon: Part 2 - The Relaxed Left Hand
460Dr. Kirsten Yon: Part 3 - Drop and Release Finger Action
461Dr. Kirsten Yon: Part 4 - Feeling of Release in Practice
462Dr. Kirsten Yon: Part 5 - Expunging Tension in the Bow Arm
463Dr. Kirsten Yon: part 6- Learning Finger Motion for Legato Bow Strokes
464Dr. Kirsten Yon: part 7- Learning Vibrato
465Dr. Kirsten Yon: Part 8: Tuning Conscience
466Dr. Kirsten Yon: Part 9, Physiology of Intonation
467(FREE) Dr. Laurie Scott, part 1: Getting Comfortable Holding the Violin
468Dr. Colleen McCullough: part 1: Classical Style and Mozart
469Dr. Colleen McCullough: part 2: Practicing Shifts
470Dr. Colleen McCullough: part 3: Practicing Musicality
471Dr. Colleen McCullough: part 4: Technical Maintainance
472Dr. Colleen McCullough: part 5: Attending to Set Up for Good Intonation and Shifting
473Dr. Colleen McCullough: part 6: Varying Vibrato Speed
474Dr. Laurie Scott, part 2: Preparing to Shift
475(FREE) Dr. Laurie Scott, part 3: Left Hand Thumb Placement
476Dr. Laurie Scott, part 4: Walking Fingers
477Dr. Laurie Scott, part 5: Smooth String Crossings
478Dr. Laurie Scott, part 6: Finger Independence
479Dr. Laurie Scott, part 7: Changing Finger Spacing Pattern
480Dr. Laurie Scott, part 8: Coordination and Bowing
481Dr. Laurie Scott, part 9: Training Vibrato
482Dr. Laurie Scott, part 10: Practice Time
483Dr. Paula Bird, part 1: Awareness of Tone I
484Dr. Paula Bird, part 2: Awareness of Tone II
485Dr. Paula Bird, part 3: Awareness of Tone III
486Dr. Paula Bird, part 4: Maintaining Relaxed Bow Hold
487Dr. Paula Bird, part 5: Maintaining a Relaxed Bow Arm
488Dr. Paula Bird, part 6: Developing Intonation I
489Dr. Paula Bird, part 7: Intonation II
490Dr. Paula Bird, part 8: Learning Vibrato
491Dr. Paula Bird, part 9: Vibrato Rounds
492Dr. Paula Bird, part 10: Wrist vs Arm Vibrato
493Dr. Paula Bird, part 11: Practice Tip - Make a Plan
494Dr. Paula Bird, part 12: Practice Tip - Rubber Band Analogy
495Elise Winters: Bow Weight and Tone Production
496Elise Winters, part 2: Maximizing Tone and the Bow Hold
497Elise Winters, part 3: Maintaining Relaxed Bow Hold
498 Elise Winters, part 5: Triplet Boomerang
499Elise Winters, part 4: Spiccato
500Elise Winters, part 6: Finding Ring Tones
501Elise Winters, part 7: Contextual Tones
502Martha Carapetyan, part 1: Increasing Comfort Holding the Violin
503Martha Carapetyan, part 2: Increasing Comfort Holding the Violin
504Jessica Matheas: Warming Up with Kreutzer
505Jessica Matheas: Franco-Belgian Bow Arm
506Dr. Glen Leupnitz: Why Learning Violin as an Adullt is Essential to Brain Health
507Daniela Shtereva Interview, part 1
508Daniela Shtereva Interview, part 2
509Dan Kobialka: part 1: Movement and Playing
510 Dan Kobialka: part 2: Finger Motion Exercise
511Dan Kobialka: part 3: Spiccato
512Dan Kobialka: part 4: Finger Release
513Dan Kobialka: part 5: Teaching Technique for Setting Up the Left Hand
514Dan Kobialka: part 6: Thumb Angle
515 (FREE) Dan Kobialka: part 7: Spacial Awareness and Intonation
516Dan Kobialka: part 8: Foundation Fingers
517Dan Kobialka: part 9: Vibrato Motion Exercise
518Dan Kobialka: part 10: Descending Shifts
519Dr. Colleen McCullough: part 7: Learning Vibrato
520Dr. Colleen McCullough: part 8: Mystical Intonation
521Dr. Colleen McCullough: part 9: Invaluable Lesson of Recording Yourself
522Preliminary Shifting Exercise: part 1
523Preliminary Shifting Exercise: part 2
524Air Galicien
525 Schindler's list: part 1
526 Schindlers List: part 2
527 Schindlers List: Part 3
528Flat Keys: part 1: Overview
529Flat Keys part 2: F, B flat, E flat, A flat Scales
530Artful Bow Placement, part 1
531Artful Bow Placement, part 2
532Bach Double Violin Concerto: 2nd violin part, part 1 (Style)
533Bach Double Tutorial part 3 (Phrasing)
534Bach Double Violin Concerto: Part 2 (Left Hand)
535Big Motions/Slow Actions-Small Motions/Quick Actions
536Controlling Your Spiccato (video response)
537Stages of Learning a Piece of Music
538Liebesleid by Fritz Kreisler - part 1
539Liebesleid by Fritz Kreisler - part 2: Advanced Fingerings
540Liebesleid by Fritz Kreisler - part 2: Simplified Fingerings
541 Summary for Kinesthetic Intonation Class
542 Pachelbel Canon in D: Part 1
543 Pachelbel Canon in D: part 2
544Oskar Rieding Violin Concerto #2 Op.35: 3rd movement
545Oskar Rieding Violin Concerto #2 opus 35, 1st movement
546Geringas: Up and Down the Ladder
547Geringas: Gym
548Geringas: Round Dance
549Geringas: Cradle Song
550Geringas: King Counter
551Geringas: The First Skating Lesson
552Wohlfahrt Op. #45, no. 14
553Geringas: Playing Ball
554Practicing Josephine Trott Double Stop Exercises
555Thirds: part 1 Hand Shape
556Thirds: part 2 Intonation
557Thirds: part 3 G scale in thirds
558Geringas: Aim and Shoot
559Geringas: Grasshopper
560Geringas: Tag
561Geringas: Old Dance
562Geringas: A Big Step over a Puddle
563Geringas: Hop Scotch
564Geringas: Country Dance
565Geringas: Song
566Geringas: Sadness
567Geringas: Agitation
568Geringas: March
569Geringas: A Pleasant Day
570Geringas: Lost in the Woods
571Geringas: Ballet Variation
572Geringas: Melancholic Waltz
573Geringas: Scherzino
574 Workshop 2016 concert: Fiddle Ensemble
575 Workshop 2016 Concert: Telemann Ensemble
576 Workshop 2016 concert: Full Ensemble
577Chords
578Great Practice Technique: Spotlight on the Right Hand
579Total Focus: Living in the Nano Future
582Shostakovich Preludium
583Webinar - October 2015: Kinesthetic Intonation
584Summary for Kinesthetic Intonation Class
585Webinar - 11-23-2015 - Off-the-String: Adventures in Bouncing Bows
586Webinar - 12-15-2015: The Well-Timed Shift
587Scale Routines:
588Webinar: Scale Routines 1-11-2016: Scale Routines: Part 1
589Webinar 2-22-2016:
590Webinar 3/28/2016: Sight Reading
591Webinar 4-25-and 2016: Tone Class
592Fun with Scales and Arpeggios
593Approaching Beginning Scale Practice
594I Gave My Love a Cherry
595 Why Vibrato Videos are in Their Own Section
596 Overview of Training Course
597 Basic Motion
598 Impulse Mechanism
599 Taps First
600 Set Up for Arm Vibrato
601 Tapping Exercise #1
602 Tapping Exercise #2
603 Taps to Slides
604 Workout 1: Single Flings
605 Workout 2: Double Flings
606 Workout 3: Triple Flings
607 Workout 4: Quadruple Flings
608Workout 5: Quintuple Flings
609 Workout 6: Quintuple Flings - Longer Workout
610 DIY Vibrato Bumper
611 Increasing Speed - reducing motion for wrist vibrato
612 Increasing Speed - Reducing Range of Arm Motion
613 Workout 7: Faster Motions (Mozart Alla Turca)
614 Workout 8: (Happy Farmer)
615 Workout 9: (Abegg Variations)
616Adding the Bow
617Workout 10: Bowed Slides (Albinez Tango)
618Workout 11: Bowed Slides -(Chopin Op. 10)
619Workout 12 Bowed Slides
620Adding Finger Pressure
621Adding Finger Pressure with Arm Vibrato
623Workout 13 (Haydn Hob XVI9 no. 3))
624Workout 14: (Albinez Prelude)
625Rocking on the Ball: Oscillation
626Workout 15: (Albinez Austurias)
627Vibrato on One Note
628Focused Pitch - One Note/One Finger
629Workout 16 (Albinez Sevilla)
630Workout 17 (Albinez Granada)
631Vibrato:part 10: Vibrato in High Positions
632Maintaining a Straight Bow - Receiving Internal Feedback
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