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This discussion includes members-only video content Hello Everyone, I've just started work on Telemann Fantaisie No 9. I looked up the meaning of Fantasie and found that interpretation should be quite free, so baring that in mind I have tried to use a bit of artistic licence. Please excuse the double stops etc - I have to work on those. Being a baroque piece, I have used some (but not much) vibrato and also tried to use open strings where possible. This will be one of the pieces for my next exam, so I have quite a while to prepare. The pieces are: Siciliana, Vivace and Allegro. Any comments, most welcome Sonia 13 Responses Posted: December 30, 2017 Last Comment: January 3, 2018 |
Replies
Beth Blackerby Posted: January 3, 2018 |
Oh wow, that is a fantastic performance. Thank you for the link. I had not seen him before. I love the freedom he has with the piece. Yes, I see what you mean, he does play those scales like little gusts of wind. :) |
Posted: January 2, 2018 |
Thank you ever so much Beth, your input is invaluable. How to interpret different music eras is alway difficult unless you can ask someone in the know. I love the idea of having space between skipped notes and then the decrescendo on the slurs, it certainly puts variety into it, bringing out the polyphonic nature of the piece. I wholeheartedly agree that at the double stopped section my bow arm really doesn’t help my left hand! I’ll put into practice relaxing it. I will also use your suggestions of getting the perfect 4th in tune first, before adding the 5th. In the second movement, the semi-quavers, I played them that way after hearing a recording by Peter Shephard-Skærved on YouTube https://youtu.be/FlkBYM6HcCA which I liked. Perhaps for an exam it’s too different from the score and would be frowned on. Thank you once again. Sonia |
Beth Blackerby Posted: January 1, 2018 |
This discussion includes members-only video content |
Posted: December 31, 2017 |
Thank you Jaime, and hello :) |
Jaime - Orlando , Fl Posted: December 31, 2017 |
Sonia, nice to meet your acquaintance! I am Jaime. Beautiful performances! I enjoyed them to the fullest! BRAVO! :0) |
Posted: December 31, 2017 |
That’s great Frieda. I also love this version of it https://youtu.be/FlkBYM6HcCA Happy 2018,here’s to lots of music and playing :) |
Frieda Posted: December 31, 2017 |
Hi Sonia, I also found the sheet music for free on the web and a performance of Jean-Baptiste Poyard on youtube. Fantastic… and I LOVE the ‘Siciliana’!!! I know what I’m going to do this last day of 2017!!! https://youtu.be/z3JAcU33lwg |
Posted: December 31, 2017 |
Thank you Beth, That would be fantastic. Happy New Year Sonia |
Beth Blackerby Posted: December 31, 2017 |
Sonia, wow! That was delightful! Your phrasing and musical gestures translated quite well. I absolutely love the Telemann Fantasies. In fact, it was only recently that I found them, which still is so hard for me to believe. How did no teacher ever give me one of these gems to work on? I guess everyone just plays Bach if they're gong to go for unaccompanied works. I'd love to make you a video response. I have some suggestions for you. I will have to get my book back from a student however, so it may be a little later this week. Bravo! |
Posted: December 30, 2017 |
Feedback Thanks for listening and your replies. Frieda, I have read the link you sent (I think I had seen this, but not read it properly) it has good suggestions on how these pieces should be played. A shame it goes into detail on the first 6 fantasies but not no 9.The baroque Bow is lovely to play with Barbara, very light and responsive. Thank you for reminding me I need to watch my own recordings very carefully. This is something I should do but don’t tend to. I think it’s like looking at oneself through a microscope! I found some interesting things and areas for improvement though. Namely: Bow position in relation to fingerboard and bridge, More emphasis on the polyphony nature of the piece - what this really means. Dynamics and phrasing. Double stops and chords need work. Intonation in various places in addition to the chords etc. Cheers and Happy New Year everyone. Sonia |
Posted: December 30, 2017 |
Dear Sonia Nice that you are playing authentically with a Baroque bow. Is there much difference in handling and sound to your regular bow? In the second video I was especially impressed with your fast runs and nimble and agile fingers. On rare occasions a note sounded off. But I don´t know whether that is written into the music to create dissonance or whether you made a mistake. They are nice pieces that have a nice flair to them. Thank you for putting yourself out to share this with us. You did yourself justice. |
MariaTess Posted: December 30, 2017 |
Frieda Posted: December 30, 2017 |
Hi Sonia... is this ‘a start’? 😀... fantastic! I found this on the web, https://scholarsbank.uoregon.edu/xmlui/bitstream/handle/1794/18483/LoisGeertzLecDoc.pdf |