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I have a lot of trouble getting my fingers down on just one string. In other words, I can't keep one finger down on a string and play an open string next to it. 1 Responses Posted: January 20, 2010 Last Comment: January 22, 2010 |
Replies
Posted: January 22, 2010 |
Dear ViolinBoss,
If indeed you are referring to playing double stops, you have been given excellent advice. If the concept of the "arched fingers" gives you any trouble, try thinking about tilting your finger tips slightly towards the nail. This is really the same thing as arching or curving your fingers, but is simply a different way of thinking about the same idea.
Also, when I was studying with Andrzej Grabiec, professor of Violin at the University of Houston, I learned that double stops, especially complicated, awkward, ones create a kind of "exception to the rule," if you will. In other words, when encountered with a tough chord, it is sometimes considered technically acceptable to move your hand and fingers into a position that is not ideal for usual playing. You may have to stretch a little more than usual or bend your fingers in a way that is different from what is typically considered pristine technique. I have to reiterate that this is an exception to the rule, and is generally only appropriate when all other methods fail.
In addition, you may want to angle your left elbow a bit more towards the front side of your violin. This also helps change the angle at which the fingers are hitting the string.
Ultimately, it's important to keep in mind that every individual's hands are made differently. Just as every finger print is different, so are the shapes and sizes of our fingers. If you ever feel like using the excuse that your fingers are just too big? Contemplate Itzhak Perlman's hands. He has what I lovingly call "Sausage Fingers." They are huge! If he can do it, you can! |